those who preordered, do not have to do so again, we will contact you when we have stock! glenn underground debuts on deepartsounds with a thing of beauty. ltd 12inch check! contact (nova) is a high energy funky eclectic 2am dancefloor song with epic strings and it comes in two versions. this is the purest example of what soulful dance floor music is about.

limited 2016 repress edition! each records comes with a real unique human kiss mark. puss is a new label from hnny and kornel kovacs, pushing club ready dance tracks to tenderhearted discjockeys around the world. on the labels third release, hnny once again steps up with an rnb infused, melancholy house epic...

erste reissue der legendären 7- der grammy-nominierten soul-sängerin betty lavette, erschienen im original 1975 auf epic.

something special from camp critical as two of electronic music’s leading lights lock horns for a vs battle of epic proportions. taking the jungle fleck of “mind & spirit” from sam’s “wasted days” lp of last year and one of breakage’s most memorable cuts from way back when (2005), the results are as you’d expect from these two. utterly essential listening.

the third release in this series opens up with fanon flowers remix of be good to me on the a-side, and has everything we love about fanons signature sound, an industrial rave-stomper that provides a heavy 909 beat topped with mercilessly propelling chicago-style claps. the b-side kicks off with henning baers remix of visco space saves the world a super trippy and minimal interpretation of the much more heavy original, which was a raw and gloomy industrial monster with a bold noize overload. its progression changes build up neatly but peak in an epic spiral break down that shatters the soul. b2 is a remastered version of herz aus stahl by the mastermind christian morgenstern himself, presenting an upfront, sinister electrofunk monster that attacks with waves of synth menace straight from its metallic robocop-heart.

impressive, dense, epic, masterful electronic excursions.

die r&b/soul-legende andre “mr rhythm” williams veröffentlicht mit “i wanna go back to detroit city” sein langerwartetes neues studioalbum. der 79-jährige amerikaner kann auf eine beachtliche karriere zurückblicken, williams, mittlerweile 79 jahre alt, ist seit den 50er jahren im musikgeschäft aktiv. er schrieb songs für u.a. parliament, funkadelic, stevie wonder, produzierte ike turner und managte soul-star edwin starr. er veröffentlichte alben und singles bei fortune records, epic, chess records und seit ende der 90er jahre auf bloodshot records. auf seinem fünften album für bloodshot liefert uns andre williams einen gelungenen potpourri aus psychedelic soul, r&b und blues. mit an bord sind u.a. dennis coffey (funk brothers), matthew smith (outrageous cherry, rodriguez), dan kroha (gories, demolition doll rods) und jim white (dirty three, cat power).
das album erscheint auf 180 gramm vinyl inklusive downloadcode.

if this latest missive from camp nado is anything to go by, were in for a scorching summer. for the eighteenth (though mysteriously numbered 014) release on the mancunian institution, messers moonboots and boardman invite a cosmopolitan cast from france and, well, yorkshire, to take us for a stroll through the surf. hulls renaissance man, steve cobby, takes centre stage on his label debut, collaborating with leeds musician rich arthurs on the a-side epic bushfarmer before showcasing his skill at the mixing desk with a b-side remix of penelope antennas sultry tradewinds, which also appears in all its original glory.

after the phenomenal compost black 12 inch this is the second strike from yokto. epic detroit inspired modern house music on the mysterious lossless label.

this track has been in my computer since a little while when dj sotofett joined me here in amsterdam, to play an epic back to back at the school (amazing new club here). when i am doing a track, it could go to a lot of different directions as im jamming them for hours in my pipe studio. i sometimes could get lost. so i asked sotofett to join me in the studio to help to finish it. then we ended with those 2 versions of cham, which are, as often when i work with the sextags man, the result of live takes almost unedited. we also add some percussions from shadi khries and we recorded two versions of the same track within hours. one being bass driven with a lot of psychedelic noises and the other one more space-techno. our adventures continues, here is another slice of spaced out music.hope you ll enjoy.

trp makes his long-awaited solo ep debut with the insanely epic pano ep. rolling n pumpin’ jams scraped from the brain of the mpc with a rusty iron. battered, bumpin and cracklin in all the right places.

on his first release on svedjebruk pistol pete delivers four full-on epic tracks. capturing the raw power and funkiness of his live-sets, stockholmska ryggdunkarsällskapet is a true tour de force of hooks and vibe.

they say coincidence is a word with no meaning, because nothing happens without a reason. within this spectre of oddity and positivity, randomness or alleged fortune, the hamburg based electro pop duo me succeeds places their new album “into randomness”. the style ranges from house to hip-hop beats to experimental parte to pop music. all underlining the fragile, captivating vocals of front singer mona steinwidder.

pete herbert drops the second release on paradise row - the imprint he and dicky trisco set up to release their own output. mango moon is a very herbertesque number pumped full of musical influences from house to italo to disco, but with an eagle eye at all times on driving the dance floor really wild. pedro demonstrates his years of experience as both a producer and a dj in a track that captures so much of the territory he has covered in both guises over the years. with its pumping live disco underbelly, its melodic italo-style keys riding on top and its rock solid drums, it really is a very classy production by a dj/ producer who knows where he wants to go and how to get us all there at the same time. meanwhile on the flip, his label and dj compadre dicky trisco flips the track in a live disco direction with an epic take of his own that throws more than a few surprises into the mix. dicky teases the dancefloor with a long build up but just wait until those wicked keys by faze action s robin lee drop in! quality stuff, & more great dance floor tackle courtesy of paradise row.

arts is synonym of future, this is an intensive work of art, a big dedication to bring art on a solid form, we present you shlomo, our new add on the label rooster is a big talent able to bring strong atmosphere into very deep grooves. the 2 cuts are outstanding, on top of that we added 2 masterclass remixes to complete the opera, inigo kennedy & label boss emmanuel. epic!

the „continuum 1991-1998“ white label series brings back the euphoria of the early days and remind us what techno sounded like before dogmatic blueprints, taking us into claustrophobic basements where boundaries were broken up in blinding flashes of strobe light.
future9192 offer the hysteria of rave culture in it’s rawest form, taking us from violently distorted 303s and uplifting pads in „plutronick“, industrial soundscapes and pulsating synths in „house of snax“, to „rhythm of slime“’s raging ebm-chords and stomping kicks, only to close with the epic „murder someone“, a hypnotic, bell-driven monster utilizing a droning „amen“-break as percussion.

support from todd terje, crazy p
from da vaults…nettles is a new series from red rack ems bergerac label which will focus on the more sample based end of things. tracks which have remained secret weapons for many years will finally see the light of day. this first release features music which was played by quite a few heavy hitters but sadly remained lost on the hard drive…until now… ‘bill george starts of as a super funky, cut up electro disco jam which morphs into the mother of all breakdowns before drifting into super deep detroit style house and then peaking back to the original electro funk vibes. a secret weapon for the likes of crazy p (who featured it on their beats in space mix way back in 2010) and one of red rack em most unreleased tracks requested for release , there s going to be quite a few people around the world celebrating bill george finally making it to wax. a 30 second piece of incidental music from a long lost german children s television series is extended into a late night disco jam timm which picked up props from none other than todd terje when danny extended it back in the hot coins edit days of 2007. another lost track which is finally seeing release…. ‘transfer list began life as a hip hop beat which ended up being such an epic opus that the full glory of the track had to be unleashed. once again a cdr classic for a trusted few. a super funky beat evolves into a kind of honky tonk vibe sort of on the kmd tip but with added poppy vocals. made in 2003

played by disco halal, red axes, rss disco, benjamin fröhlich, naduve
for its 4th release, malka tuti is welcoming j.a.k.a.m. to its ever-expanding family. born in tokyo japan, j.a.k.a.m. has been been one of the leading figures developing the music scene in japan from the early 90s as a dj, producer and a band member. his wide variety of musical influences ranges from house, hip hop, drum&bass, techno, reggae, jazz, rock and world music. with combining these different styles of inspirations and tradition, he creates the most unique time and space on the dance floor, a kind of fusion of early tribal house (recording live instruments in the studio), world music with a pinch of shamanic spiritual vibes. on his ep for malka tuti he delivers 2 original epic tunes, followed by a smokey dub version by versatile records boss gilb r and a total dance-floor smashing remix by aussie prodigy - dreems.

coming straight out of melbourne with plentiful attitude, producer/multi-instrumentalist silentjay teams up with fellow hiatus kaiyote backing vocalist, jace xl to present sacrifice, a mini album of epic proportions. at once sincere and heartfelt, the songs do not shy away from the playful influence of 90s rnb - a sound that is a defining influence on this ep, which despite clocking in at just under 30 minutes, attains a level of artistry and conceptual cohesiveness that many artists could only dream of. another very serious record, from an impossibly fertile melbourne scene that is quickly becoming the envy of the world.

this instrumental hip-hop 45 is an ode to the love of jazz fusion and that dusty sound with a handful of tracks recorded from 2013/2015. both of the tracks love fusion & floating were made over the course of three epic days locked in the studio on the mpc 2500. as simiah tells it, “diamonds for me was basically the tipping point to where i could rock new grooves. it was like i had made another mistake, but it was a step in the right direction. new chops and new vibes.”  the cover art is by j byles with the layout by bee. full colour artwork in a sleeve with spine

it’s not easy to create something that sounds epic and yet doesn’t veer off into cliche-riddled pathos, which is why the latest release from gaspard de la montagne hits so hard. it’s perfect.

dirty analog techno from french boss, crackboy trevor jackson: brilliant! crackboy (and all his dirty aliases) never disapoints for his second chapter on crowdspacer (after releases on tigersushi, im a cliché, zone or fragil), crackboy, the king of french dirty analog techno, half of pov with label-boss joakim, digs deeper into that detroit melanchol-epic vibe with weapons of steel on the a-side before going bonkers on the b-side with 2 naughty stripped-down beat-centric dj tools for the sweaty late night crowds. made me think of some gemini tracks when i first heard it (thats a compliment).

after the hip hop after all tour guts confirms in an idea more than this in the back of his head to make an album where the proportions 80% samples and programming / live 20% would be reversed .. ok! deluxe packaging - double lp gatefold/ with insert and download card

the first twelve-inch of the year from e c h o s p a c e features epic reworks of cv313 s now classic, -seconds to forever- released back in 2010. the first track is a killer dubbed out reversion by intrusion, for the dancefloor or the sofa, this is spaced out sonic submersion of the highest order. there s also 2 beautiful remixes from the brilliant rod modell (deepchord), those touched by his recent output on soma will have a lot to love here. gorgeous plumes of sound all lovely mastered and mixed down from 1/4- analog tape, cut and remastered by bazza (abbey road studios) at alchemy, london. sublime and beyond deep, another exquisite excursion transmitting from the other side of the galaxy. pressed onto 160 gram crystal clear wax

extrasolars new series called series 45 starts with a melancholic and epic original by kevin de vries *time traveler* - complemented by a big remix made by farceb. pressed on finest 180g vinyl.

for our 50th release on delusions of grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing dog artists and veritable newcomers alike. kicking off part one we have rush hour regular nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way.

qnete steps up for the fifth instalment in the drowned catalogue with three epic, thumping space age club jams. grinding distorted synths, clattering 909 drum work and whining pads all come out to play here forming some almighty floor ready experiments.

six years after his mila ep, uk techno artist lee renance, better known as 100hz with james chapman, is finally back on bosconi with another strong 3 tracker release called -circles-, a combination of very sought-after gems and reworks of old tunes: the record begins with the gentleness of the groovy and jazzy vibe of that mega rare undergound deep anthem named -shoot the bar-, a track originally out in 1998 on pacific records which many people have been probably waiting since long time for a repress, while on b side the artist presents himself under one of his more obscure aliases as mr format, going trough more voodooish and hypnotic dub techno territories with a pitched down version of primary colours track, an undiscovered and carefully crafted secret weapon previously released on his own imprint format records. last cut of the record is a totally renovated version of the track oliva out in 2009 on the greatest french logistic records. in this new version , “oliva funk” epic strings and pads merge with compelling and engaging beats creating a levitating effect which drive the mind and the mood of the dancefloor into dreamy soundscapes. you ll make it yours.

after two eps on l.i.e.s. voiski heads east making his debut on the cccp sub-label. we are treated to classic voiski material here- all the elements he excelled at on his previous efforts all present-massive drum programming, huge basslines and epic builds carry the songs along. 100 percent guaranteed club approved and essential for any voiski fan.

way back in 1996, at the height of the widely acknowledged golden period for electronic music, d-saw a.k.a andré winter released a true classic on hamburgs highly influential superstition label. track 10:30 stood the test of time, becoming widely regarded as a key moment in european techno music history, despite its modest impact at the time. now, 20 years later, andré revisits the source material courtesy of some killer remixes on oliver huntemanns senso imprint. hamburg’s own h.o.s.h. (holger behn) delivers an epic twist to the cut, widening out the spaces and adding his own techy signature to the original. re.you offer up another flavour altogether, maintaining the iconic synth pulse of the source but introducing an infectious, driving groove. dubspeeka throw a bit more grit in into proceedings with a tough, machine funk mix, while andre winter himself reworks his classic into a slow burning groover that effortlessly showcases the elements that make this track so timeless.

the title track has already made rounds on numerous dance floors and proved to be an irresistible organ house monster. panthera krause s tracks wiggle within the zone between epic floor moments and abstract beat structures like in the mighty -z-cuts- or in the flute-induced -howling for july-. finally, the space between us- is an emotional ride through the twilight of eternal loss and extravagant hope. the artwork was created by lisa geue.

by all accounts, whiskey disco has matured. each release unique, but compiled meticulously to meet some of the highest standards in the edit community. wd45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by mcde at numerous festivals in 2015. next up, the intriguing corsican brothers reappear after a 5 year absence from whiskey disco with a sliced version of i like it, beefed up bass and space on the platters with a touch of dub. side b exemplifies the weirdness only a b-side can… albions disco chopper is a stretched and phased party jam that does not stop. move to the inside for the lengthy and epic big time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named blaxploitation movie from 1977.

tilted marks the debut material to drop from kate simko & london electronic orchestras eponymous studio album, due for release on the vinyl factory this may. featuring two original compositions and an epic remix from seth troxler, the tilted ep provides an exciting preview of simkos innovative project which showcases a symbiotic blend of orchestral soundscapes and electronic music.

epic, tripped out percussive cuts with drum programming by dj fett burger and percussion by telephones !

karim sahraoui has been producing gems for many years under various names such as djinxx, soul monkey and electronique resistance. after a break 2014 saw his return to the business under his real name and producing music that is closer to him than ever. releases included the future classic eternal life ep pt 1 on derrick mays transmat and appearances on labels such as cocoon. the a-side features the epic 10-minute original version of horns of glory on which karim takes his time to unfold the story of the track: a journey filled with beautiful melodies and rhythms that paint a lush landscape of sound. side b features the earth from above which again has a fairy-tale feeling to it. the b2 is vince watsons pumping and powerful remix of horns of glory which gives the track an energetic hypnotic quality and rounds off the package well.

yachting club, if the name evokes a leisurely walk on the deck of a boat, the first ep of yxc reveals the depth of an imaginary journey that does not lack elegance. released in september 2015, captain s memories invites us to a timeless journey into the intricacies of sound, which combines, post industrial clatter of a fantastic boat, unceasing sea rolls, and the harmonies of souvenir.the slow and hypnotic groove, between brokenbeat, abstract, downtempo and film music gives way to reverie but often reveals a delicate nostalgia. quick descriptions of tracks : “havre” describes the encounter between our main character and a local tribe, the broken beat leaves places to their chant both welcoming and threatening.“ancient horror”. on a disturbing 90’s hip hop beat, synths and brass sample narrates the epic fight between the captain and a mythical beast. “captain’s memories”: this beatless track, punctuated by agonizing strings invites us to journey with the captain’s nostalgia, the sea he traveled, the women he met..

classic miami funk nugget from henry stones glades records. produced by clarence reid, this is an epic piece of sunshine soul. re mastered and re issued in conjunction with henry stone music 2016.

all track are written and produced by alessandro sensini and carlo battistini
tracks description:
a1 - raining: calma opens up with a hypnotic rumbler! snaps and claps take us in, before the eery synths and floating pointesque keys punctuate and a squelqchy, distorted bassline rumbles beneath the surface, making you feel like you re at a party in a haunted church. a2 - cuattro: calma takes us on a tropical trip, with an infectious sun-filled groove looping over incessant layers of beat patterns that weave in and out of the track teasingly, driven along by a banging bass drum to keep you nodding. b1 - mr amarè: calma shows his love for acid house with an epic, ever-evolving influenced roller that blends together nearly every percussion instrument you could ever dream of. crashes, symbals and a cowbell drive it along, underscored by a seriously funky bass line and mysterious vocal sample that emerges halfway through tying it all together nicely. b2 - cuattro /juju & jordash rmx): juju and jordash take over the remix duties for calma. the dutch duo add their deep trademark sunshine inflected beats and sturdy basslines to the already tropical loop, while infusing swirling synths and strings that lead us in and out of the breakdowns and on to a late night, chilled-out dance floor.

after releasing music from japanese artists like rondenion, altz & onomono it s time for bosconi to export some of it s finest italian homegrown products to the land of the rising sun. this japan special edition release on bosconi extra virgin includes 5 exclusive unfitered sessions starting slightly more -old school- on the aside with the happy & dirt funk moods from minimono s track -all good so far- and the dark afro-funk force of riccio s serious banger -uhh-.the b side goes more quirky, beginning with the aquatic, gentle & sexy vibe of nas1 s opening sketch -polite- heading to the biting and raw bliss of rufus ghetto house cut -hellow- and closing with the epic, dreamy, romantic and driving punch of -see you soon- by life s track. 100% unfiltered extra virgin vibes!

2nd release on the zyntax motorcity – imprint by anokie. the mini-lp includes six sci-fi-electrotracks on red wax. the stuff always set the stage for an epic story, yet remain accessible, fresh and funky, with an edgy experimental side. no download – vinyl only – 200 copies!

scotlands claude speeed first came to our attention via his epic 2012 remix of kuedos *work live & sleep in collapsing space*. with a history in various bands such as russia and american men, his work draws from scottish post rock, 90s and 00s electronica, american minimalism, noise & drone. after a significant time travelling abroad he relocated to berlin and released his debut album for luckyme, entitled *my skeleton*. now he is releasing his follow-up ep *sun czar temple* on planet mu - an epic set of songs that distort emotional songwriting with textured synthetic ambience and computer noise. dreams on hard disk.

having turned out two hazy, driving eps of muffled techno for lobster theremin sublabel mörk, nthng arrives on pacific command for a rare two track exploration of gritty dutch rave and rolling trance-y techno.
on *are you here*, nthng takes an up-tempo bucket-booted drum shuffle and steadily filters its way into a skittering hat furore, all coated with epic pads and a demi-hoover rave stab. full fire-alarm business.
on the flip, there is serious influence from early trance and techno with the warehouse-crushing *in the afterglow*. constructed on the back of an early 90s hard house-esque alien synth patterns and rolling wildly into the deepest depths of the forest rave, until the long-awaited sunlight pads come bursting through the leaves.

the inaugural release of t&w records. brought to life by tiger & woods and associates, this brand new record label will be a home to all things tiger & woods: from legit sample songs and upbeat boogie beats to darker deeds. it starts with the epic and infectious disco trancer boca and its counter-part, the classic t&w sounding no more talking. sampled and cleared, sliced and spiced! powered by running back!

ruhig comes back after one year with particles ep as first installment of a double ep on midgar. the record opens with particles, an atmospheric detroit influenced cut made out of synthlines dropping like voodoo spells, epic pads and fragmented beats. eddying follows up with a more direct approach to the dancefloor, 4/4 stomping beat and thin hi-hats backed by lasers and passionate ambiances. etere on the b-side gives the records an halfway breath, sounds like a late afternoon walk in the fields of a southern countryside village (with constructions going on somewhere nearby), before to start again with the sweet and eerie perle, where droney pinching drums are flooded by a swarm of dreamy fireflies. idiom to close the ep with a fast syncopated cut, showing the approach of ruhig to any form of musical expression and genre, far from traditional ambient or deep techno and going further, to reach out daring and more demanding levels.

hot epic/ spooky techno

vertv, one of the most anticipated underground label, introduce their first release with the gifted and versatile house artist : mad rey. combining raw and warm house grooves, hip hop sampling skills, jamaican poetry and acid nervousness in a 4 tracks ep, this record is dedicated to experimental dance music with a deeply personal and sensitive sound. thought for longevity the ambitions of this new label is summarized on this epic record manifesto.

raxon with an epic double header for noir musics nm2 sublabel.

mad max: fury road’s epic score is written by tom holkenborg, aka junkie xl, a grammy nominated and multi-platinum producer, musician, and composer. junkie xls versatility puts him on the cutting edge of contemporary music, as well as in the vanguard of exciting new film composers.
the 180 gram audiophile double vinyl is housed in a gatefold sleeve and comes with a 4-page insert.

bt09 - invisible darning brings together 4 unique acts, covering a wide spectrum of techno and electro. crystal maze s crossroad blues kicks off the ep with slow mo tripped out techno. dez williams hand on mouth follows up with spaced out, stargazing electro. on the flip we have switzerland’s echo 106 - 100m splutter bringing stuttering arpeggiated synths for an epic showdown. closing the ep albert van abbe resurrects his dormant the pulse projects for the brutalist crunching grounds. very limited copies. vinyl comes hand stamped complete with individual screen printed artwork unique to each copy.